Zu Der Öffentlichen Prüfung Sämmtlicher Classen Des Gymnasiums Zu Naumburg Buchkatalog

Excerpt from Zu Der Öffentlichen Prüfung Sämmtlicher Classen Des Gymnasiums Zu Naumburg: Am 6., 7., 8. Und 9. April 1840 Valerio Prob. De lomlnib. Tregua, ab. Ioau. Surisb. Policnt. Libr. 8. C. 9. Aut Antico, ut a IJ vio libr. 38. C. 66. Libr. 46. C. A Plin. N. H. Libr. 3 s. 9. Libr. La. A. 27. Libr. 34. E. 8. (cf. Ludd. Iîbr. II. III. XII. XIII. XXI. XXII. XXIX. XXXIII. XXXIV), a Plutarcb Nu. C. 22. De l'ort. Rom. E. U Macrob. Setaro. Libr. I. E. 4. Et e. 13. Ab Arooh. Adv. Gent. Libr. V e. Ab Ascon. In Pisonian. (cic. Scholl. Ed. Orell. P. II. Pg. In Cornel. (ibid. Pg. A goli. Libr. VI c. A Censorin. D. D. Net. C. A Priscian. Libr. IX c. 10. (t. I Km), ab Oron. Libr. 6 c. Ut Valeria Antica, ut a Livio libr. 4 c. B. Libr. 26 c. 29. Libr. 96 c. 49. Libr. 3o c. L9.'et c. 29. Libr.39c.6. Libr.34c.l6. C. M. Et e. 60. Libr. 39 e. 22. Et c. 43. Libr. 4l c. 27. Libr. 42 c. Il. Libr. 44 c. I3. Libr. 46 c. A Plin. N. H. Libr. 2 s. Lll. Ct'. Iud. Libr. XXVIII., a Gell. Libr. I c. 7. Libr. III c. 8. Libr. V c. 21. Libr. VI c. 8. Libr. VII c. 9. Et e. A Veli. Potere. Libr. II c. A Plutarch. Rom. E. I3. Fla miuiu. C. A Charia. Libr. II pus. 186. Punch, ab Orca. Libr. 6 c. Ab Aunct. D. G. R. C. U Ceusoriu. D. D. U. C. I7. A Dionys. Bel. Libr. Il c. 13. (oòauesoc ò una) et libr. I c, (oòaltgcog 'anfac) aut, ordine inverso, Antico Valeria, ut a Livio libr. 3 c. '6. Libr. Se c. 49. Libr. 30 c. 3. Libr. 36 e. I9. C. 36. C. 38. Libr. 39 c. 41. Et c. 66. Libr. 40 c. 29. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.