Moses Mendelssohn's Gesammelte Schriften, Vol. 5 of 7 Buchkatalog

Excerpt from Moses Mendelssohn's Gesammelte Schriften, Vol. 5 of 7: Nach den Originaldrucken und Handschriften22. 932enbeiäfobn an von 29 ®ec. 1769. 477 - 484 (ungebrncft, nach bem @0ncepte) 23. 932. An berber, 932ai 1769. 484 - 491 (berauägegeben mit ?benutgung einer alten 2ibl'cbrift) 24. ®e an 9renbeiäiobn, ?beriin 23 San. 1770 491 - 492 (ungebrueft. Nad) bem Sriginal) 25. (ein 9320nn von @taube an 932enbeiéfobn, San. 1770 (item) 492 - 493 26. 932enbeiéiobn an einen 932ann von ©tanbe, 26 San. 1770 (u11gebrutft, nach bem @0ncepte) 27. 932. An Sat. ®erm Shereit, 13 932a13 1770 (nach bem @0ncepte) 28. 932. An ©abib 932id)061'5, 13 9325113, 1770 499 - 500 (ungebrucft, nach bem @0neepte) 29. 932. An einen unbefannten, 20 21119. 1770 30. 932. An ©aoib 932i®ae1i6, c. 9200. 1770 (ungebruc?t. Nach bem @0neepte) 31. 932. An 91:0f van (90en8, 14 ®ec.1770 506 - 508 32. 932. An Siant. 23 £)ec. 1770 (nach bem 509 - 512 33. 932. An ben s)drebige1: ©et'e, c.1770 513 - 515 34. 932. An Dr. 16 gebt. 1773 516 (ungebrucfb nach bem 9riginal) 932. An benfeen, 8 {geht. 1774 (item) 517 - 519 932. An 93efi, 24 263111 1773 520-522 37. 932. An ben böhmiqen 80imubif1enß - g geht. 1774 522 523 932. An Sei). $acob ®piefi, 1 932arg, 1774 524 - 527 39. 932. An Cim0n ©0mmerbaufen, 14 $uni 1774 527 - 528 (ungebu nad, bem Brig =%riefe in bebräifcber ©cbrift) 40. 932 an %rieb. 92icoiai, 3 93ct1774 52 29 - 530 (ungebruät. Nach beat Sriginai) 41. 932. An ©enningä, 20 3011. 1775 530 - 532.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.