Klasse Gesellschaft

One feature of seventeenth-century Dutch genre painting is its focus on daily life. It was not uncommon for artistic beauty to find itself challenged by the claim to aesthetic truths. What was once a novelty in Netherlandish art, however, has lost none of its charisma for today's viewers. This illustrated volume offers evidence of this in a fascinating dialogue between the historic masters of genre painting and the shooting stars of contemporary art. Works by Johannes Vermeers, Pieter de Hoochs, and other painters meet Stefan Marx's contemporary typefaces and Lars Eidinger's photographs. This unique synopsis not only reveals historic distinctions but the surprising similarities in themes and pictorial inventiveness are captivating. Previously published by Hatje Cantz: Lars Eidinger: Autistic Disco (2020) Stefan Marx: Schriftbilder (2020) Stefan Marx: Notes (2019) LARS EIDINGER (*1976) is a versatile artist. He can be seen in many film roles, as a member of the ensemble at the Berlin Schaubühne, and as the DJ. With his precise eye for the contradictions and poetry of everyday life, he is also an in-demand photographer. STEFAN MARX (*1979) is a draftsman, cultural philosopher, and skateboarder. He is known for his typefaces as well as his numerous international exhibitions. SANDRA PISOT (*1974) studied art history, classical archeology, as well as modern and contemporary history at the universities of Augsburg, Parma, and Stuttgart, doctorate in 2011, after holding positions at the Bavarian Staatsgemäldesammlungen Munich and the Staatliche Kunstsammlungen Dresden, she has been head of the Old Masters collection at the Hamburger Kunsthalle since 2014.

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