• Ihr Warenkorb ist leer.
Zur Kasse

19 Ergebnisse.

Christ lag in Todesbanden, BWV 4

Christ lag in Todesbanden, BWV 4

Bach, Johann Sebastian
For this beloved Cantata, the Novello vocal score prepared by the eminent English organist John Ebenezer West was re-engraved by G. Schirmer in the early part of the 20th century with Henry Drinker's English translation added beneath the original German text. The West vocal score was itself based upon the renowned Bach Gesellschaft full score of 1850. Now available in ...

18,90 CHF

Stabat Mater, D.383

Stabat Mater, D.383

Schubert, Franz / Mandyczewski, Eusebius
Schubert's twelve movement work is a setting of a German paraphrase of the Latin sequence by F.G. Klopstock (1724-1803). It contains some of his finest choral writing. Unabridged digitally enhanced reprint of a vocal score prepared by Georg Gohler first issued in 1910 by Breitkopf & Hartel, Leipzig. Now with measure numbers and a very readable large A4 format. Matching ...

17,50 CHF

Der Himmel lacht, die Erde jubilieret, BWV 31

Der Himmel lacht, die Erde jubilieret, BWV 31

Bach, Johann Sebastian / Rust, Wilhelm
Composed for an Easter Sunday performance in 1715 during Bach's tenure as court composer at Weimar, this cantata has long been a favorite among the more than 250 he wrote. Unabridged electronically enhanced reprint of the vocal score arranged by Gustav Rosler first issued by C.F. Peters in ca.1880 based on the Bach Gesellschft volume which first appeared in 1857. ...

16,90 CHF

Choral Fantasy, Op.80

Choral Fantasy, Op.80

Beethoven, Ludwig van
Beethoven's Fantasia for Piano, Chorus and Orchestra, composed late in 1808, is sometimes described as a prototype of the Symphony No.9. The first two thirds of the work could be described as a concert piece for piano solo and orchestra. Only after 400 measures does the chorus enter, with a tune that does bear some similarity to the renowned "Ode ...

17,50 CHF

Nach dir, Herr, verlanget mich, BWV 150

Nach dir, Herr, verlanget mich, BWV 150

Bach, Johann Sebastian / Torvik, Karel
A newly engraved vocal score carefully edited and revised from Raphael's reduction issued in conjunction with Bach Gesellschaft edition. One of Bach's earliest extant works (dated 1708 or 1709), this cantata was likely influenced by the those of Dietrich Buxtehude. The opening string sinfonia is follwed by a short opening chorus in motet style. After a brief attractive aria (for ...

16,90 CHF

Wachet Auf, Ruft uns die Stimme, BWV 140

Wachet Auf, Ruft uns die Stimme, BWV 140

Bach, Johann Sebastian / Rust, Wilhelm
This is an unabridged digitally enhanced reprint of the vocal score originally issued ca.1925 by G. Schirmer in New York, with an English translation by Henry S. Drinker. The Cantata Wachet auf, ruft uns die Stimme is one of Bach's most widely performed choral works. It was premiered in Leipzig at the Thomaskirche on November 25, 1731 under the composer's ...

17,50 CHF

Liebeslieder-Walzer, Op.52

Liebeslieder-Walzer, Op.52

Brahms, Johannes / Sargeant Jr., Richard W.
Brahms composed his first volume of choral-watzes in August of 1869 to poetry taken from Polydora, an 1855 collection of German folk-poems and love-songs assembled by George Friedrich Daumer (1800-1875). Rather than the usual accompaniment for piano solo, Brahms elected to provide one for piano duet. The first performance was given in Heidelberg on November 4, 1869 and issued later ...

24,50 CHF

Liebeslieder-Walzer, Op.52

Liebeslieder-Walzer, Op.52

Brahms, Johannes / Sargeant Jr., Richard W.
Brahms composed his first volume of choral-watzes in August of 1869 to poetry taken from Polydora, an 1855 collection of German folk-poems and love-songs assembled by George Friedrich Daumer (1800-1875). Rather than the usual accompaniment for piano solo, Brahms elected to provide one for piano duet. The first performance was given in Heidelberg on November 4, 1869. Brahms orchestrated the ...

19,50 CHF

Neue Liebeslieder, Op.65

Neue Liebeslieder, Op.65

Brahms, Johannes / Sargeant Jr., Richard W.
Following the success of his first volume of choral-watzes of 1869, Brahms set another 14 songs to the same poetry from Polydora, the 1855 collection of German folk-poems and love-songs assembled by George Friedrich Daumer (1800-1875) plus a conclusion set to a poem of Goethe - "Zum Schluss". Composed from 1869 through 1874, the seond volume also features numbers for ...

19,90 CHF

Neue Liebeslieder, Op.65

Neue Liebeslieder, Op.65

Brahms, Johannes
Following the success of his first volume of choral-watzes of 1869, Brahms set another 14 songs to the same poetry from Polydora, the 1855 collection of German folk-poems and love-songs assembled by George Friedrich Daumer (1800-1875) plus a conclusion set to a poem of Goethe - "Zum Schluss". Composed from 1869 through 1874, the second volume also features numbers for ...

22,50 CHF

Liebeslieder Suite from Opp.52 and 65

Liebeslieder Suite from Opp.52 and 65

Brahms, Johannes / Sargeant Jr., Richard W.
In the wake of the positive reception of Brahms's first set of Liebeslieder-Walzer (the Op.52) after their 1869 premire, the conductor Ernst Rudorff persuaded the composer to orchestrate the accompaniment for 8 of the 18 selections (plus another piece subsequently included in the Op.65 set) for a concert given at Berlin's Hochschule on March 19, 1870. Offered here is a ...

17,50 CHF

Christmas Oratorio, BWV 248

Christmas Oratorio, BWV 248

Bach, Johann Sebastian
This new vocal score is a digitally enhanced reprint of the one fist issued by C.F. Peters, Leipzig in the late 19th century, based upon the Bach Gesellschaft edition with the classic keyboard reduction by Gustav Rosler. With added measure numbers and in a large, easy-to-read A4 size, choruses and students of Bach's music will appreciate having this authoritative score ...

25,50 CHF

Gott, Der Herr, Ist Sonn' und Schild, BWV 79

Gott, Der Herr, Ist Sonn' und Schild, BWV 79

Bach, J. S. / Bach, Johann Sebastian / Rust, Wilhem
Composed for Reformation Day (October 31) in 1725, this cantata was re-orchestrated for a performance given five years later. With its colorful orchestration and musical allusions to Luther's nailing of the 98 theses to the back door of the Schlosskirche in Wittenberg, the cantata has remained a popular one ever since its first publication in 1870.This new vocal score is ...

16,90 CHF

Gelobet sie der Herr, Mein Gott, BWV 129

Gelobet sie der Herr, Mein Gott, BWV 129

Bach, Johann Sebastian
This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel ...

16,90 CHF

Gesang der Parzen, Op.89

Gesang der Parzen, Op.89

Brahms, Johannes / Mandyczewski, Eusebius
Brahms enriched the genre of chorus and orchestra with two impressive works from the early 1880s: In 1881, he set a text to Schiller's Nanie (Op.82, four-part chorus and orchestra) and the next year (1882) he set Goethe's text for Gesang der Parzen, Op.89 (Song of the Fates) which explores the concept of fate as it relates to mankind. The ...

16,50 CHF

Nänie, Op.82

Nänie, Op.82

Brahms, Johannes / Mandyczewski, Eusebius
Brahms composed the piece in 1881, in memory of his deceased friend Anselm Feuerbach. Nanie (Song of Lamentation) is not about simple despair or mere complaint. Even in such dark moments, Schiller's romanticism is expressed as a yearning for the unattainable. The work opens with "Auch das Schone muss sterben!" (Even Beauty must die), and the tension between the veracity ...

16,50 CHF

Schicksalslied, Op.54

Schicksalslied, Op.54

Brahms, Johannes / Mandyczewski, Eusebius
Brahms started work on his lush setting of Friedrich Hölderlin's poem Hyperions Schicksalslied (Hyperion's Song of Destiny) in 1868 but did not complete it until 1871, being unsatisfied with the ending until he completed his better-known Alto Rhapsody, Op.53. The vocal score offered here is a clean digitally-enhanced reprint of the classic vocal score issued by Breitkopf & Härtel in ...

13,90 CHF

Piano Concerto No.1, S.124

Piano Concerto No.1, S.124

Liszt, Franz / Stavenhagen, Bernhard
Liszt started working on his first foray into the concerto genre as early as 1830, only completing the work in its present form in 1849. He appeared as soloist in the premiere, given at Weimar on Febrary 17, 1855, with the Staatskappelle under the direction of Hector Berlioz. The concerto has been a staple of the repertoire ever since. Just ...

19,90 CHF

Ergebnisse anzeigen für