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Héroïde funèbre, S.102

Héroïde funèbre, S.102

Liszt, Franz / Taubmann, Otto
Number 8 in his series of thirteen tone poems for orchestra, Liszt's Héroïde funèbre or 'Heroic Elegy' was composed from 1849-56 and given its premiere in Breslau on 10 November 1857 with the composer conducting. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fourth volume of the Liszt-Stiftung edition, published in ...

19,90 CHF

Prometheus, S.99

Prometheus, S.99

Liszt, Franz / Taubmann, Otto
The fifth of Liszt's revolutionary series of thirteen symphonic poems, "Prometheus" started life in 1850 as a dramatic cantata for chorus and orchestra set to Johann Gottfried Herder's "Der entfesselte Prometheus" Liszt subsequently extended and reorchestrated the overture into the symphonic poem and conducted its premiere in Braunschweig on 18 October 1855. This new study score is a digitally-restored reissue ...

20,50 CHF

Les Preludes, S.97

Les Preludes, S.97

Liszt, Franz / Taubmann, Otto
The third of the ground-breaking series of thirteen works composed for orchestra, Liszt's "Les Préludes" was inspired by Alphonse de Lamartine's "Nouvelles méditations poétiques". Composed from 1850-54, it was given its premiere in Weimar 23 February 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in ...

21,90 CHF

Mephisto Waltz No.2, S.111

Mephisto Waltz No.2, S.111

Liszt, Franz / Kellermann, Berthold
Liszt's second Mephisto Waltz was originally composed for piano solo sometime between 1878 and 1881. It was orchestrated shortly thereafter and performed in this setting on May 9, 1881 in Budapest, with the orchestra conducted by S. Erkel. The score reproduced here was originally issued by Breitkopf & Härtel of Leipzig in 1913 as part of the tenth volume of ...

19,90 CHF

Ce qu'on entend sur la montagne, S.95

Ce qu'on entend sur la montagne, S.95

Liszt, Franz / Taubmann, Otto
The first of a ground-breaking series of thirteen works for orchestra, Liszt's Ce qu'on entend sur la montagne (What One Hears in the Mountains) drew its inspiration from a poem by Victor Hugo. Composed from 1848-54, it was given its premiere in Weimar in January of 1857 with the composer conducting the Weimar Hofkapelle. This new study score is a ...

31,90 CHF

Die Ideale, S.106

Die Ideale, S.106

Liszt, Franz / Taubmann, Otto
Die Ideale" is the penultimate work of the revolutionary series of thirteen tone poems Liszt composed for orchestra. It may have been originally intended as the final one, since the final symphonic poem followed more than two decades after this work's completion and premiere - which took place on 9 September 1857 with the Weimar Hofkapelle conducted the composer. This ...

27,50 CHF

Mazeppa, S.100

Mazeppa, S.100

Liszt, Franz / Taubmann, Otto
The sixth of the revolutionary series of thirteen tone poems for orchestra, Liszt's "Mazeppa" was inspired by the French version of Lord Byron's famous poem by Victor Hugo. Composed from 1851-54, it was given its premiere in Weimar on 16 April 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score ...

24,90 CHF

Hunnenschlacht, S.105

Hunnenschlacht, S.105

Liszt, Franz / Taubmann, Otto
The eleventh in Liszt's series of thirteen tone poems for orchestra, "Hunnenschlacht" or 'Battle of the Huns' - composed from 1855-57 - was inspired by a painting of the same title by Wilhelm von Kaulbach which portrayed the legendary Battle of the Catalaunian Plains between the Huns under Attila and a coalition of Romans, Visigoths and others fought around June ...

23,50 CHF

Hungaria, S.103

Hungaria, S.103

Liszt, Franz / Taubmann, Otto
The ninth in his ground breaking series of thirteen tone poems for orchestra, Liszt's "Hungaria" or 'Heroic Elegy' was composed in 1854 and given a tremendously successful premiere in Budapest's National Theatre on 8 September 1856 under the composer's direction. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fifth volume of ...

26,50 CHF

Orpheus, S.98

Orpheus, S.98

Afshar / Liszt, Franz / Taubmann, Otto
Liszt's fourth entry in his revolutionary series of thirteen symphonic poems, Orpheus was penned to serve as an introduction to the Weimar premiere of Gluck's opera on the same story Ofeo ed Euridice. Composed in 1853-54, it was given its premiere in Weimar 16 February 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored ...

18,50 CHF

Die Schöpfung, Hob.XXI.2

Die Schöpfung, Hob.XXI.2

Haydn, Joseph / Mandyczewski, Eusebius
Having been inspired by performances of Handel oratorios while visiting London in 1791-92 and 1794-95, Joseph Haydn determined to write one of his own and was given an English libretto entitled The Creation, which had originally been offered to Handel years before. This libretto, whose author is still not known, was loosely based upon Biblical sources (Genesis, Pslams) and John ...

23,90 CHF

Die Jahreszeiten, Hob.XXI.3

Die Jahreszeiten, Hob.XXI.3

Haydn, Joseph
Haydn's second great oratorio, known in English as "The Seasons", was composed 1799-1800 in the wake of the great success and popularity of its predecessor. As with "The Creation", the German libretto provided to Haydn was the work of Baron Gottfried van Swieten, who adapted and translated excepts from the lengthy English poem of James Thompson also entiled "The Seasons." ...

27,90 CHF

Eine Faust-Symphonie, S.108

Eine Faust-Symphonie, S.108

Liszt, Franz / Kellermann, Berthold
Although he made sketches for a large symphonic work on the subject of Goethe's novel Faust, which he had been introduced to by Berlioz (via Gerard de Nerval's French translation), it's was during Liszt's period of residency in Weimar that the sketeches took root to grow into Eine Faust-Symphonie in drei Charakterbildern. The 1852 premiere of Berlioz's work on the ...

36,90 CHF

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